Final Project - Type Exploration and Application
31/05/23 - 28/06/23 / Week 9 - Week 13
Jennifer Huang / 0352990
Bachelor
of Design in Creative Media
Advanced Typography - Final Project.
INSTRUCTIONS
Timeframe : Week 08-Week 12
Deadline : Week 13
Description : With the knowledge and experience gained in the exercises and tasks, with the accumulated knowledge from the lectures and your own reading (library books and online sources), with the experience gained in the different software covered in the
Deadline : Week 13
Description : With the knowledge and experience gained in the exercises and tasks, with the accumulated knowledge from the lectures and your own reading (library books and online sources), with the experience gained in the different software covered in the
programe thus far, synthesize and apply the learning in the tasks to be
mentioned. Allow the knowledge gained to guide and inform your decisions for
the effective execution of your final
task. Create a font that is intended to solve a larger problem or meant to
be part of a solution in the area of your interest be it graphic design,
animation, new media or entertainment design or any other related area not
necessarily reflecting your specialization. End result: a complete generated
font (.ttf) with applications. or Explore the use of an existing letterform
in an area of interest, understand its existing relationship, identify areas
that could be improved upon, explore possible solutions or combinations that
may add value to the existing letterform / lettering. End result: a complete
generated font (.ttf) with applications. or Experiment. For your idea to
qualify as an experiment it must be novel and unique — working with material
that might be 3-dimensional, digitally augmented, edible, unusual,
typographic music video or fine art. End result: defined by student. To be
effective you will need to study your selected area, look at how type is
used in the area and identify potential weaknesses or possible areas of
further exploration or experimentation. You can then attempt to provide a
creative solution or add value to an existing use. The end outcome could be
a designed font and its application in the form or format that it is
intending to provide a solution to, or a designed font that adds value to an
existing use, or an experimentative output that results in something novel
and unique. The work can manifest into any kind of format related to the
issue being solved or explored or experimented: animation, 3d, print,
ambient, projection, movie title or game title, music video, use of
different material etc.
Learning Goals :
1. To create purposeful typefaces that are consistent in design and identify and with appropriacy in mind.
Learning Goals :
1. To create purposeful typefaces that are consistent in design and identify and with appropriacy in mind.
2. To simulate use of typeface in application while ensuring consistency in
design.
PROPOSAL
SKETCH AND EXPLORATION
First Idea
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Fig.1 First Idea sketch Attempt Week 9 (1/06/23)
As shown on the proposal ppt, I firstly wanted to go with coffee bean, and that's how it turned out, but Since last semester I did a bubbly font, This semester I would like to try something new.
Second Idea
Fig. 2 Week 9 (06/06/23)
So the second idea was based on Swiss721 Cn BT. The idea was to make a thinner stroke font and I wanted to make it subtle but also captivating to the eye.
So the second idea was based on Swiss721 Cn BT. The idea was to make a thinner stroke font and I wanted to make it subtle but also captivating to the eye.
Fig. 3 Week 9 (06/06/23)
Starting by making some sketches on paper with ballpoint.
Starting by making some sketches on paper with ballpoint.
Fig. 4 Week 9 (06/06/23)
Moving on to Adobe Illustrator by tracing each shape/letter with pen tool
Upper Case construction process
Moving on to Adobe Illustrator by tracing each shape/letter with pen tool
Upper Case construction process
Fig. 5 Upper Case Letter Constructions Week 11 (13/06/23)
After I'm done tracing it out, I then start to refine the letters to a better looking font. I used small box shape as its measurement for each letter so they can be consistent. Through all the uppercase letter, I struggle most on making letter 'S' but thankfully I figured it out and it turned out okay.
After I'm done tracing it out, I then start to refine the letters to a better looking font. I used small box shape as its measurement for each letter so they can be consistent. Through all the uppercase letter, I struggle most on making letter 'S' but thankfully I figured it out and it turned out okay.
Fig. 6 Final Uppercase. Week 11 (13/06/23)
This is the final outcome for the uppercase. Overall I think it's okay..
Lower Case construction process
Fig. 7 Lower Case Letter Constructions Week 12 (20/06/23)
Fig. 9 Final Lower Case Week 12 (20/06/23)
FONT LAB PROCESS
Fig.12 Kerning. Week 13 (30/06/23)
Fig. 13 Final JeNT Font Presentation Week 14 (05/07/23)
TYPEFACE APPLICATION
Fig. 18 First Attempt Application*3 Week 14 (05/07/23)
This is the Second attempt of 'Type Vintage Why Not'. I'm just testing out
different layouts for the texts so it'll be less boring.
FINAL SUBMISSION
Fig. 24
PDF Submission
PDF Submission
PDF Submission
FEEDBACK
Week 9 - The idea overall its okay, first sketch is consistent
although some of the letter has unnecessary elements.
Week 10 - You must make your own font! Of course there might be
similar fonts out there but it must've had some difference.
Week 11 - Some letters aren't consistent and there are not legible.
Week 12 - Since I ended up restart my whole font, Its going to be such a rush..
Week 11 - Some letters aren't consistent and there are not legible.
Week 12 - Since I ended up restart my whole font, Its going to be such a rush..
REFLECTION
Experience - Through type discovery and use, I set out on a
quite transformative journey. In search of the ideal visual language for
each project, I plunge headfirst into various of fonts. continued by
experimentation of different sketches.
Observation - The subtleties and complexities of fonts are carefully observed through type investigation and application. I'm able to recognize the minute differences in letterforms, stroke weights, and kerning. I became observant at how hierarchy, readability, and negative space interact with type. These insights guide my final design choices, resulting in aesthetically pleasing and powerful visual compositions.
Observation - The subtleties and complexities of fonts are carefully observed through type investigation and application. I'm able to recognize the minute differences in letterforms, stroke weights, and kerning. I became observant at how hierarchy, readability, and negative space interact with type. These insights guide my final design choices, resulting in aesthetically pleasing and powerful visual compositions.
Findings - I find that although I quite like how it turned out, but I lack consistency in some letter forms which makes the overall typeface messy if zoomed out. Definitely requires more improvement in the future.
FURTHER READING
A fun and informative book, "Type Matters!" covers the world of
typography and its importance in design and communication. The book,
which was written by a prominent typographer, explores the principles,
history, and actual uses of type. It illustrates how different typefaces
affect message delivery, arousal of emotions, and readability. The
author examines typography in a variety of settings, including print and
digital media, and offers insightful advice on selecting the best
typeface, layout, and spacing. For designers, students, and anybody else
interested in comprehending and appreciating the power of typography in
visual communication, "Type Matters!" serves as a thorough
reference.



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